Access to North Carolina’s Special Collections

Vision, Principles, and Strategic Directions

 

 

Our Vision

 

All of North Carolina's cultural institutions work together to make the state's unique cultural and historical resources accessible for the education and enjoyment of people of all ages in the state, nation, and the world.

 

 

Our Values and Guiding Principles

 

While it works to make this vision a reality, the Access to Special Collections Working Group and partners representing North Carolina’s cultural institutions will be guided by the following principles:

 

1.       Cultural institutions* support the democratic ideal of an informed, educated citizenry.

 

2.       Source documents, works of art, and museum artifacts enhance education and the quality of life for everyone.

 

3.       Cultural institutions seek to be inclusive, providing accessibility to their resources for all ages, while providing a voice for the diverse populations in the state.

 

4.       Cultural institutions are continually growing and evolving, increasing the awareness of their rich resources and building new communities of users.

 

5.       Cultural institutions use the appropriate technologies to create new ways to extend access and to preserve the state’s cultural resources for current and future generations.

 

6.       Cultural institutions add value to the resources in their collections by providing context to their materials, allowing individual users to better interpret for themselves the resources being presented.

 

7.       Cooperation among cultural institutions allows each individual institution to determine the extent of their participation, respects the cultures of the different types of institutions, and recognizes that every institution has something to contribute.

 

8.       Cooperation among cultural institutions involves working together in a focused way to share, as well as leverage, resources, strengthening the efforts of individual institutions and building greater connections between holdings, thereby enhancing their overall use.

 

9.       Professionals in cultural institutions act responsibly and ethically and are objective in their provision of access and content. They are dedicated to achieving results, while being realistic about opportunities and challenges.


Strategic Directions

 

I.          Discovery

Strategies in this area will assess the extent of the collections and resources of the state’s cultural institutions, the current status of their preservation and access, and their needs and priorities while building an inter-institutional community.

1.       Identify and survey North Carolina's cultural repositories regarding holdings, staffing, collection use, etc.

2.       Hold survey summary meetings and create other information sharing devices to inform those being surveyed regarding survey results, while allowing cultural caretakers to begin strengthening ties between different types of cultural institutions.

3.       Begin to identify key collections that might be targets for resource support, especially those that could be components in collaborative projects.

 

II.        Access

Strategies in this area will improve access to the resources held by North Carolina’s cultural institutions, with an emphasis on using new digital technologies and the Internet.

1.       Develop tools to make it easy for people to discover and use those resources, with an emphasis on those using new technologies.

2.       Develop and promote techniques and tools that are appropriate for the cultural materials of the different communities of interest.

3.       Provide appropriate contextual information for primary source materials (objects, art, and records) so users might better interpret and understand their cultural resources.

 

III.       Skills and Knowledge

Strategies in this area will equip cultural caretakers with the skills and information they need to collect, preserve, and provide access to the cultural resources of North Carolina.

1.       Use the World Wide Web and other online tools to inform and educate cultural caretakers.

2.       Establish guidelines for acceptable practice and communicate them to the cultural community.

3.       Use the survey process as an opportunity for teaching and learning.

4.       Provide formal continuing education to increase skills and knowledge in the cultural community while generating a commitment to best practices.

 

IV.       Preservation

Strategies in this area will help cultural institutions maintain the resources entrusted to them, as well as the media created to provide greater access to those originals.

1.       Bring cultural caretakers together to identify opportunities for strengthening current preservation programs.

2.       Identify best practices for preserving what has been duplicated in a digital format.

 

V.         Celebrate and Communicate

Strategies in this area will inform members of the cultural repository community, the general public, and the funding agencies of activities that are creating greater access to cultural materials, while drawing attention to the challenges faced by the partner institutions and celebrating their resources and the commitment of their custodians.

1.       Develop and implement a formal communications plan to inform potential partners, the general public and representatives of funding agencies about plans and activities.

2.       Engage current and potential partners in “continuing conversations” about needs, issues, and plans to assure a responsive program that has broad support.

3.       Remain open to exploring connections/collaborations with other states and organizations attempting similar programs.

4.       Celebrate the resources and people who maintain them that we discover during the process.

5.       Promote the work of cultural institutions.

 



* Any cultural institution (library, archive, museum, historic site, or organization), which maintains a permanent, non-living collection of unique materials held for research and/or exhibit purposes and open for the use of the public. Denominational/associational collections are included, but individual church collections are not. Art museums are included but galleries are not. Zoos, arboreta, and parks are not included unless, as a part of their mission, they hold collections described above.